“Dorothy Ashby's Afro-Harping, Dorothy Ashby playing a psychedelic harp along to some great backings. It's got a really amazing version of 'Where is it?'... I know 'Come Live with Me' is great and 'Soul Vibrations' is amazing.”
Afro-Harping
Released in 1968, this deluxe edition showcases Dorothy Ashby’s innovative blend of jazz and soul, featuring her unique approach to the harp. The instrumentation is rich and varied, with Ashby’s harp taking center stage, offering a lush, resonant texture that contrasts beautifully with the more traditional jazz elements. Supported by a tight rhythm section, including bass and drums, the arrangements often incorporate brass and woodwinds, creating a vibrant tapestry of sound that feels both modern and deeply rooted in African American musical traditions. The album's production choices highlight Ashby’s intricate playing, with careful attention to the nuances of her instrument. Tracks like "Soul Vibrations" pulse with a funky groove, while "The Moving Finger" showcases a more contemplative, melodic style, allowing Ashby to explore the harp's expressive potential. Throughout, her ability to meld the improvisational nature of jazz with the harmonic richness of the harp distinguishes her work in a genre often dominated by more conventional instruments. Culturally, Ashby’s music reflects the broader movements of the 1960s, intersecting with the African American experience and the burgeoning interest in integrating diverse musical forms. Her artistry not only elevates the harp as a viable solo instrument in jazz but also resonates with the era’s explorations of identity and expression in music. "Afro-Harping (Deluxe)" stands as a testament to Ashby’s vision, offering listeners an opportunity to experience an artist who deftly navigates the boundaries of genre and sound.
“I love her. I love her compositions. And there's one hard-hitting one. 'Soul Vibrations.' It's like one of my pump up songs.”
Tracklist
18 tracks · 73:51 · click to previewKeep digging.
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